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A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA

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RESEARCH INFORMATION

[icon type=”icon-pencil”]: A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA
[icon type=”icon-book”]: Chapter 1 – 5
[icon type=”icon-book-open”]: 60 Pages
[icon type=”icon-basket”]: #3, 000
[icon type=”icon-doc-line”]: Ms Word format

This study,A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA contains concise information that will serve as a framework or guide for your project work. The project study is well-researched for academic purposes and are usually provided in complete chapters with adequate References.

Keywords:A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA


RESEARCH BODY

ABSTRACT

African writers have pre-occupied themselves with the happenings in the society. Thus, thematic focus has always been on societal ills, one of which is female oppression. This study examines the feminist perspectives in Hilary Rouse-Amadi’s Amina and Mobolaji Adenubi’s Empty Arms. The sociological approach was adopted, which enabled a better judgment of the characters, as presented by the writers.

This research work has shown how Hilary Rouse-Amadi and Mobolaji Adenubi have raised the female consciousness to withstand the grains of patriarchy. The work also examines what feminism is, and the changes that have taken place in the portrayal of women in the society.

In conclusion, this work is able to portray a vivid description of gender inequality, its adverse effect on women and the steps taken to correct it.

TABLE OF CONTENTS

CHAPTER ONE

  BACKGROUND TO THE STUDY

1.0   INTRODUCTION

1.1 PURPOSE OF THE STUDY

1.2 SCOPE OF THE

1.3 JUSTIFICATION OF THE STUDY

1.4 RESEARCH METHODOLOGY

END NOTES

CHAPTER TWO

LITERATURE REVIEW

2.0 INTRODUCTION

2.1 THE ORIGIN OF FEMINISM

2.2 DEFINITIONS OF FEMINISM

2.3 FORMS OF FEMINISM

2.4 FEMINIST FORMS ADOPTED IN HILARY ROUSE AMADI’S AMINA AND MOBOLAJI ADENUBI’S EMPTY ARMS

END NOTES

CHAPTER THREE

3.0   A SYNOPSIS OF HILARY ROUSE-AMADI’S AMINA

3.1 FEMINIST ISSUES IN ROUSE-AMADI’S AMINA

3.1.1 THE SUBORDINATION OF THE FEMALE GENDER

3.1.2 BRIDE PRICE AND CHILD MARRIAGE

3.1.2 FEMALE BONDING

3.1.3 THE CHANGE IN A WOMAN’S STATUS AFTER MARRIAGE

3.2 GENDER PORTRAYAL IN HILARY ROUSE-AMADI’S AMINA

3.3 CULTURAL FEMINISM IN HILARY ROUSE-AMADI’S AMINA

END NOTES

CHAPTER FOUR

4.0   A SYNOPSIS OF MOBOLAJI ADENUBI’S EMPTY ARMS

4.1 FEMINIST ISSUES IN MOBOLAJI ADENUBI’S EMPTY ARMS

4.2 GENDER PORTRAYAL IN MOBOLAJI ADENUBI’S     EMPTYARMS

4.3 LIBERAL, RADICAL AND HUMANIST FEMINISMS IN   MOBOLAJI ADENUBI’S EMPTY ARMS

END NOTES

CHAPTER FIVE

A COMPARATIVE ANALYSIS OF HILARY ROUSE-AMADI’S AMINA AND MOBOLAJI ADENUBI’S EMPTY ARMS

5.1 FINDINGS

5.2 CONCLUSION

BIBLIOGRAPHY

 

Keywords: A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA



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